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Singers & Hosts Wisdom Post how to be a great karaoke singer or host. |
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#1
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Re: something new about this legalities
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This is what karaoke companies do when an artist (or their publisher) refuses to give authorization for their songs to be made into karaoke. Supposedly, this is perfectly legal when a certain percentage of the song/ music is different from the original. I heard this years ago, and there's gotta be some truth to it, otherwise why would karaoke companies make some songs with what most people would call errors due to being considerably different from the original. I heard this from somebody who claimed to be good friends with a studio musician who has worked for Sound Choice on numerous projects where they planned to make sections of certain songs to be different than the originals. Anybody ever hear about this? Last edited by Rockrz; March 28th, 2010 at 11:07 AM. |
#2
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Re: something new about this legalities
[quote=Rockrz;100049]Ever notice how some songs have a few lyrics that are wrong, or where the music has sections that are a little different from the original version?
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how would we know who did the songs on some of the older songs, without them putting the name of the artist on the label
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BILLY O' WEEKEND.DJ Las Vegas, NV Last edited by billyo; March 28th, 2010 at 12:17 PM. |
#3
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Re: The Lawsuits Have Started In Virgina
If you've ever followed an artist that sues another artist for copyright infringement, claiming they are copying their song, it usually comes down to how large of a percentage is the alledged stolen song is like the original that determines who wins the case.
They actually have some sort of formula that figures this out and I think they do this with some software program. Sure, on karaoke discs they like who the artist was and maybe who the publisher is that holds the rights to the song...but that doesn't mean the karaoke producer paid to re-produce the song on karaoke. I've heard for years (nobody can prove this except for the karaoke producers, and they won't) that many of the karaoke producers, including Sound Choice, don't always pay license fees because there are ways around having to pay this expense and still not get the britches sued off of them. It's be just like Sound Choice to screw the artist / publisher, and then turn around and claim some KJs are screwing them. Maybe they are reaping what they've sown |
#4
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Re: something new about this legalities
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Case in point:Parodies. If you look at the credits for parodies they will include the original song writers names as well as the parody writer. I believe also that there has to be substantial changes to a song before someone can add their name to the credits and share the royalties. If a song has the "look and feel" of another song, the original writers (or owners if the rights have been sold) will get credit The movie industry is getting sued all the time over these things. Someone thinks that a new movie is too similiar to a book or screenplay they wrote and will sue, leaving it up to the courts to decide if a work is new or a derivative of someone elses. |
#5
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Re: something new about this legalities
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Even when doing this, they still list the original artist of the song on the karaoke disc. If they didn't, then nobody would know who sang they song. I think we've all seen especially lyrics that are wrong and I know I've heard a few where the music was different in several places |
#6
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Re: something new about this legalities
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#7
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Re: The Lawsuits Have Started In Virgina
Sure the American Legion club i've been at for the past 6 years also will allow the public in under certain circumstances. The fish fry, bingo, the area childrens christmas party, jam sessions we put on things like that. And we serve them booze as well except for the children's party. But on a friday night when i'm there doing karaoke twice a month, no public is allowed unless signed in.
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#8
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Re: The Lawsuits Have Started In Virgina
First and foremost, if you are named in a SC Lawsuit, immediately counter-sue for $1 million dollars U.S.
SC sues over 2 issues. 1. Trademark Infringement 2. Unfair Competition With respect to Trademark Infringement, they specifically refer to the "Confusion" clause of the statute. Confusion is used when a blatant infringement has not occurred. It is the "Catch-all" clause of the statute. http://www.lectlaw.com/files/inp27.htm Quote:
SC believes this occurs with downloaded/pirated Karaoke that is used in a commercial environment where a KJ is being compensated. SC is saying that, by using Pirated Karaoke, the SC Trademark is confusing the Establishment's Owners, Singers, and non-Singers because the Establishment's Owners, Singers, and non-Singers have a fundamental right to believe that the Karaoke Trademarks being displayed are from Original Discs ripped to a Hard Drive at a 1:1 ratio and owned by the KJ contractor for an individual Karaoke Show or multiple sets of Original Discs if the KJ is running multiple rigs. How does one DEFEND against "Confusion" to thwart SC if one is named in a lawsuit? Having a simple TERMS and DISCLAIMER is your BEST DEFENSE. The Disclaimer would read similar to this: Quote:
http://www.lectlaw.com/files/inp27.htm Quote:
Although the following actually deals with selling goods, it does make good reading in understanding what is considered "Blatant" Infringement and "Confusion" Infringement: http://www.lectlaw.com/files/inp28.htm Quote:
The above Disclaimer, also, defends against: 2. Unfair Competition as it specifically states: Quote:
There is an ancillary statement to possibly defend against Public Performance as I believe this has been totally distorted as NO ONE IS GETTING PAID TO SING. Since SC sends scabs to your shows to "gather evidence," You should have a CONTENT DISCLAIMER in all your Song Lists that would read similar to this: Quote:
Further defense against SC is to force SC, during "Discovery," to produce all 4 licenses on ALL there Karaoke Songs. An argument could be made that, if SC didn't have permission to re-create, FOR SALE, the Intellectual Property (IP) in the first place, they wouldn't of had the right to put their Trademark on the IP in the second place. In other words...they are the thieves and profited until the record label or Artist forced them to pull the IP...Hence the "R" numbered discs. SC's credibility would be tainted in eyes of a Jury. This will be plausible and sustainable evidence as SC never states what IP was infringed leaving it open for you, the defendant, to choose which IP it was that they have a picture of...their evidence. They do not want to name an IP as, if you produced the Original disc the IP was on, they would be dead in the water. This leaves their IP "evidence" open for debate and ambiguous, at best. More smoke for the JURY to show the deception of SC's lawsuit. Simply choose the Eagles 8125 disc, assuming you have an Original, or, choose any Original that was later replaced, to clear up the ambiguity as they will NOT be able to show all 4 Licenses for the works on those discs. It's a catch 22 for SC. If SC says that's not the disc of works where the evidence came from, then, make them state categorically which work it was. If they do, then produce the Disc...end of story. But they won't...they don't want specific IPs because you would be able to produce them. The aforementioned is a way to force them. If you can't pin them down...more smoke for the JURY to show SC's deception. I know I'm talking about IP, but the IP is what the Trademark is on. Kill the IP and the Trademark goes with it. I suppose SC could argue that, even though the IP was not perfected, it is still their Trademark and you infringed upon it. You could, then, use Kurt Selp's own words, from various forums, that, as far as he and SC was concerned, as long as one had a 1:1 copy, which would include media-shifting to a Hard Drive, it was OK. Use his own words against him. So, it does matter which IP one was talking about because if one was to produce the Original...it was alright with Kurt Slep and SC and more reason to the JURY that the Lawsuit was nothing but a fishing expedition and FRIVOLOUS! The NEW discs that SC is still producing further evidence that the SC Lawsuit is on shaky ground. The new discs come with a new WARNING LABEL that states: Quote:
1. Obviously SC has a problem proving that the consumer was properly informed that they could NOT media shift the songs from the OLD DISCS to a Hard Drive. Why else would they change the warning. More evidence in for the JURY of SC's frivolous Lawsuit. 2. By the statement in the warning of NEW DISCS, "OR ANY SOUND CHOICE SONG," SC is trying to make all their songs comply retroactively. So, I would say, if you have any of these songs in you database...remove them immediately. Further comments When I purchased a SC Disc, I was never informed that I couldn't use these songs on a Hard Drive. Neither from SC itself, as I have purchased discs directly form them in the past, or from Vendors. I did not walk through a door and SC magically became a business partner of mine because I purchased one of their discs. And, since they are not a business partner, they are not permitted access to any aspect of my business...leave alone my Song Library. I heard rumors that SC wants to claim that their IP was never intended for Commercial use. If they try that tactic, I have several inserts from Jewel Cases that state (This Is From SC8295): Quote:
Last edited by gd123; March 29th, 2010 at 03:13 AM. |
#9
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Re: The Lawsuits Have Started In Virgina
Looks like you've done your home work gd123. This may be helpful to some. Sure doesn't hurt. The disclaimers sound like a dandy idea in any case. I may just print those up and stick them in, may not help, but sure won't hurt. Up here the guys are putting the KIA{A} logo in their song books {they all use disc}. Stating the kia{a} is not a legitimate organization, and don't be fooled by them, and not to hire any over priced kj who claims he has a better show because he's a member and charges more. And that the kia{A} has absolutly no governing power, or standing at all in the karaoke business. They're making me up a bunch, and i'll give a few to anyone who ask me for them.
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