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Yep to all of it-- it works for you and you're getting the
results you want, and to me that's always what it's been
all about.
My Model 5 days usually involved the expander too,
though for some of those live-in-a-club gigs there
wasn't room for it. In some jazz clubs how much space you
were gonna take up was a big deal to the club owners,
and could make or break whether they would allow
the artists to record live in their place, despite the
publicity etc it would generate for them.
I still use a few diff analog boards here, like you mostly
for monitoring, though one style of working I've done
a lot of is to build in Medit using a 4 channel system,
then mix down analog. Big thing for me with that style is
the ability to use various vintage things like LA2s and Pultecs
on the mixdown w/o locking them in using Medit.
Then back to a 2nd Medit system, going back to digital
via a TC Finalizer or other stuff.
Lately I seem to do that less, though I will also do
it at times when using Audition as a multi-track, often
after pre-editing elements in Medit first. But with Audition
2, it functions much more intuitively in the multi-track
mode, more like a board with sends, bussing etc. And the
UA emulations of the LA2, 1176, Pultec and some other
stuff are good, so I'll use them.
It can max out a Pent 4 2.5 gig machine quickly though,
even though the UA stuff runs on its own card.
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