|
Well, here's a non-professional who highly questions the validity of the paper you refer to as applied to vocal removal in audio tracks.
The reason I question it is because that paper was written in 1998, and it seems strange that in all that time no one in the music field has applied the concept to a vocal removal product. Show me one vocal removel product being marked today that absolutely works. Rather odd wouldn't you say?
Apparantly Vogone is not the only one frozen in time, and I'm tempted to agree with SUPPORT that this application does not fit the need here.
I think it's mixing apples and oranges when you try to put mike feedback and harmonics, in the same bucket with vocal reduction. Most mike feedbacks I've ever heard all lie in approximately the same frequence range, and would be easy to nail as compared to the complexity of the human vocal range.
That's my humble opinion.
George
|