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Steve,
Basically the way I do it is this: I have scoresheets which I write out and include all singers except the name of the singer I give the scoresheet to. Each singer has three empty boxes next to their name, for their three songs. Basically the sheets are blank and numbered, I just fill in the names. Each contest I have done I have changed the design slightly or printed on different color paper. This insures that people can't print up blanks beforehand. All rules are also printed on the sheet as well as "suggested scoring" methods. I say suggested methods as there are a couple of different scoring scales and a note that they are free to use whatever scoring method they want, including ones not listed. Like I said it's not perfect but it works. It all but rules out favoratism, by judges, KJs, staff,etc,
Another thing I have tried is the Scaryoke approach. I try to pick the most obscure songs, that I've never even heard of, and put a song for each of the singers into the hat. When they come up to sing their third song they pick a name from the hat. It works best if you get songs that nobody should know. It shows a different side of showmanship (showwomanship?) how well they can read lyrics, improvise a melody, follow with the music, and interact with the crowd, all at the same time. I've done this once with fairly good results. It was alot of fun.
Flip
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